Two months in a row and sticking to my resolution to keep up with fiction reading. Yay me.
Let’s ignore that it’s already March and I didn’t notice or remember to hit post… and that I only finished two books in February.
This Golden Flame by Emily Victoria
This Golden Flame is an excellent debut novel that blends humanity, machine and magic. Essentially, a group of characters – with slightly different agendas – is thrown together by happenstance. They unite to take down a corrupt leader.
Through Alix, an automaton, Victoria explores what defines a person in a manner that is accessible and interesting. Alix’s existential crisis reflects the human condition and will resonate with the novel’s target YA audience.
Victoria refreshingly avoids romantic entanglements between the narrators, Alix and Karis. The book passes the Bechdel test with top marks! I didn’t pick up that Alix and Karis are depicted as asexual until after I’d completed the book, when I read more about the it. Frankly, it works whichever way the reader interprets the characters. Equally pleasing was Victoria’s matter-of-fact approach to inclusion and representation. Different cultures, faiths (if scriptwork is imagined that way), classes, sexualities and genders are effectively woven together as part of the characterisation and the plot.
The dual narrative was tricky… The voices of Alix and Karis aren’t distinctly different so the split first-person narrative seems unnecessary. Maybe this was deliberate – showing how Karis is different to other people and how similar Alix is to her? But then it feels like the narration often focuses on internalisation and perhaps misses the chance to depict Tallis and Valitia more convincingly. Victoria is clearly a skilled writer and I’d have enjoyed more time with her world building. Moreover, the book feels like it has three protagonists: Alix, Karis and Dane. Despite this, only two narrative perspectives are included.
Really, that’s my only gripe. Unless you count wishing it was longer so I could find out more about Zara and her crew! There was so much to enjoy about This Golden Flame. I look forward to Victoria’s future work.
The Supreme Lie by Geraldine McCaughrean
McCaughrean writes across the spectrum, for children, teens, young adults and those of us who no longer belong in this category; it’s one of the many reasons I admire her as a seasoned and skilled writer. The Supreme Lie fits comfortably somewhere within the YA bracket. In terms of genre, however, I’m at a loss. Drama, certainly, with splashes of fantasy, dystopia, political intrigue and adventure. It feels art deco in period but simultaneously very modern. I’ve found this with McCaughrean in the past – she frequently straddles genres and styles with impressive grace.
In essence, the country’s leader ‘does a bunk’ when unprecedented floods bring chaos to a region. To hide the leader’s cowardice, her husband hatches a plot to pretend the leader is still present by dressing up the 15 year old maid, Gloria. As you can imagine, the situation gets pretty fraught. It’s quite Shakespearean – think Twelfth Night or Measure for Measure.
Having read other reviews – after finishing the book – I can see some readers have criticised McCaughrean for being a little bizarre or far-fetched. First, the bizarre is a characteristic I always enjoy in McCaughrean’s work. In The Supreme Lie, we are often treated to the perspective of Heinz, a loyal dog. His adventure, trials and worries during the flood are expressed through his internal monologue. It’s beautiful – not bizarre – to see canine loyalty given so much page. In terms of being far-fetched… pffft. I’d argue that having watched the last American administration coupled with having experienced the handling of 2020-2021 (stares hard at 10 Downing Street), McCaughrean has sculptured a plausible political landscape. Scheming public servants, environmental crisis, mass media scare-mongering, biased news reporting, power grabbiness and dis/mis-information: what’s far-fetched about that?!
Overall, it’s funny and dark. Often, for young people such as Gloria, the solutions to real world issues appear simple. McCaughrean illuminates that this isn’t the case but that decisions made with a strong moral compass will always be preferable to those steered by corruption.